The Blossom
is a Song of Innocence that explicitly focuses on sexual awakening, making it a
useful poem to use should a question on love or sexuality come up in the exam.
It also tells us a lot about what Blake believed to be the nature of innocence.
The Blossom
Merry Merry Sparrow
Under leaves so green
A happy Blossom
Sees you swift as arrow
Seek your cradle narrow
Near my Bosom.
Pretty Pretty Robin
Under leaves so green
A happy Blossom
Hears you sobbing sobbing
Pretty Pretty Robin
Near my Bosom.
Form &
Structure
The poem
consists of two sestets (six-line stanzas), each composed of a regular ABCAAC
rhyme scheme, giving them a rigid structure, suggesting that nature is
indifferent and unchanging to human conventions. The rhythm alternates between
trochaic dimeter and trimester, echoing children’s rhymes. The repetition of
patterns highlights the contrast between the two birds, despite the speaker not
recognising this.
Because the
speaker receives no response from the blossom, the poem takes the form of a
monologue, demonstrating that this aspect of nature is impersonal, unlike the
paganist beliefs of nature typical of Romantic poetry. Instead, in the material
world there is no vital personality or feeling.
Stanza One
The
repetition of “Merry Merry” and “Under leaves so green” demonstrates the
simplistic and childish nature of the innocent speaker.
The “Sparrow”
is associated with carefree joie de vivre and also a symbol for nature. In the
Bible, Jesus stated how not even the insignificant death of a sparrow goes
unnoticed.
The “happy
blossom” represents fragility, and thereby the fragility of innocence, although
it also demonstrates the naivety of innocence. It is also signifies the time of
Spring and its light-heartedness. Blake is suggesting that the tenderness and
fragility of the blossom provides solace for two different human aspects of
experience.
In line
with the theme of sexual awakening, the “swift” “arrow” is phallic imagery,
whereas the “cradle narrow” is vaginal.
The
repetition of “Near my Bosom” indicates the nurturing and secure nature of the
speaker, suggesting a maternal instinct, and represents a focus on erogenous breasts.
Stanza Two
The
repetition of the first two lines in the second stanza, with the exception of
turning “Merry Merry” into “Pretty Pretty” unifies the sparrow and robin as
symbols of nature, and creating a harmony between nature, creatures and
humankind, but also demonstrates the ignorant innocent nature of the speaker in
generalising the two creatures despite their differences.
The
repetition of “sobbing sobbing” highlights the differences between the sparrow
and the robin. In between the two stanzas, it is insinuated that a sexual act
has taken place. From this, the sparrow has gained sexual experience while the
robin is left “sobbing” from a broken heart.
The “Robin”
is usually associated with friendliness and compassion. According to tradition,
the robin tried to remove a thorn from the crown of thorns on Jesus’ head while
he was crucified. A drop of blood fell from the thorn onto the robin’s breast,
and this has remained a symbol of compassion.
In his
Proverbs of Hell, Blake wrote:
“Excess of sorrow laughs.
Excess of joy weeps.”
This seems
to suggest a cyclical nature of emotions, in line with the belief of Levi-Strauss
that contraries are interdependent by the very fact of their opposition. In
regards to this specific quote from Blake, any human feeling when over-exerted
becomes its opposition; these contraries blur rather than maintaining a stark
divide. So once again, this poem uses excesses of emotions created from sexual
experience to demonstrate the need for both innocence and experience. Should
someone stay in innocence, they stay in the naivety of the speaker of this
poem.
To be
honest, I’ve probably over-analysed this poem to death so do not feel forced to
remember every single point I’ve made in this section, but should love come up,
so long as you intertwine your analysis with the theme of the two contrary
states, this is a good poem to discuss!
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